photo 21 May 1,073 notes discardingimages:

flying penis monster 
Decretum Gratiani with the commentary of Bartolomeo da Brescia, Italy 1340-1345.
Lyon, BM, Ms 5128, fol. 100r

discardingimages:

flying penis monster 

Decretum Gratiani with the commentary of Bartolomeo da Brescia, Italy 1340-1345.

Lyon, BM, Ms 5128, fol. 100r

photo 20 May 51 notes WOW, I’m blown away.  100,000+ followers.   Thanks, everyone!

WOW, I’m blown away.  100,000+ followers.   Thanks, everyone!

photo 16 May 183 notes inacom:

British Library, Add MS 47682, detail of f. 34r. Bible (the ‘Holkham Bible Picture Book’) c. 1327-1335

inacom:

British Library, Add MS 47682, detail of f. 34r. Bible (the ‘Holkham Bible Picture Book’) c. 1327-1335

photo 15 May 471 notes centuriespast:

Blockbook (ca. 1470)Apocalypsis Sancti JohannisGermany, about 1463–67
The Morgan library

centuriespast:

Blockbook (ca. 1470)
Apocalypsis Sancti Johannis
Germany, about 1463–67

The Morgan library

via C.P..
video 14 May 725 notes

Doodles by a child in Medieval Novgorod. 

The Art of Onfim: Medieval Novgorod Through the Eyes of a Child

photo 9 May 290 notes parabola-magazine:

The Unicorn SonnetO dieses ist das Tier das es nicht gibtThis is the animal that doesn’t exist.But they didn’t know it and dared nonetheless to love its transformations, its bearing, its gaitso much that in the tranquil gaze of light, it lived.Really it never was. Out of their love they made it,this pure creature. They always saved a space.And in that place, empty and set aside,it lightly raised its head and scarcely needed to be. They fed it no corn,only the possibility that it might exist –which gave the beast such strength, it borea horn upon his forehead. Just one horn.It came to a virgin, all white,and was in the silver mirror and in her.—Rainer Maria Rilke, Sonnets to Orpheus II, 4
Image: A Mon Seul Désir by an unknown French weaver c. 1410

Via one of my favorite publications ever. There are back issues in almost every room of my house.

parabola-magazine:

The Unicorn Sonnet

O dieses ist das Tier das es nicht gibt

This is the animal that doesn’t exist.
But they didn’t know it and dared nonetheless
to love its transformations, its bearing, its gait
so much that in the tranquil gaze of light, it lived.

Really it never was. Out of their love they made it,
this pure creature. They always saved a space.
And in that place, empty and set aside,
it lightly raised its head and scarcely

needed to be. They fed it no corn,
only the possibility that it might exist –
which gave the beast such strength, it bore

a horn upon his forehead. Just one horn.
It came to a virgin, all white,
and was in the silver mirror and in her.

—Rainer Maria Rilke, Sonnets to Orpheus II, 4

Image: A Mon Seul Désir by an unknown French weaver c. 1410

Via one of my favorite publications ever. There are back issues in almost every room of my house.

photo 8 May 273 notes Evangelistary (“Liber viventium”)
Parchment · 91 ff. · 31 x 20.5 cm · Churrätien · first quarter of the 9th century and 9th-14th centuries
(via e-codices)The Liber viventium Fabariensis is likely the most important surviving work of Rhaetish book art. This manuscript was originally designed as an Evangelistary and richly adorned with initials, frames for canonical tables and full-page illustrations of the symbols of the four evangelists. Starting in 830 the names of monks who joined the monastic community were listed in the empty canonical table frames, together with living and deceased benefactors of the abbey. In addition to its function as evangelistary, memorial and record of the monastic brotherhood, the Liber viventium was later also used to preserve the historial records and treasure catalog of Pfäfers Abbey. Because of the legal importance of the Liber viventium up to modern times, the volume is housed in the archival collection of Pfäfers Abbey. (kur)

Evangelistary (“Liber viventium”)

Parchment · 91 ff. · 31 x 20.5 cm · Churrätien · first quarter of the 9th century and 9th-14th centuries

(via e-codices)The Liber viventium Fabariensis is likely the most important surviving work of Rhaetish book art. This manuscript was originally designed as an Evangelistary and richly adorned with initials, frames for canonical tables and full-page illustrations of the symbols of the four evangelists. Starting in 830 the names of monks who joined the monastic community were listed in the empty canonical table frames, together with living and deceased benefactors of the abbey. In addition to its function as evangelistary, memorial and record of the monastic brotherhood, the Liber viventium was later also used to preserve the historial records and treasure catalog of Pfäfers Abbey. Because of the legal importance of the Liber viventium up to modern times, the volume is housed in the archival collection of Pfäfers Abbey. (kur)

photo 8 May 413 notes Hortus Deliciarum Leviathan
German Romanesque ca. 1170 

Hortus Deliciarum Leviathan

German Romanesque ca. 1170 

photo 8 May 411 notes Bamberg Apocalypse: Angel and the Serpent
Ottonian 11th Century
Staatsbibliothek Bamberg, Ms. Bibl. 140

Bamberg Apocalypse: Angel and the Serpent

Ottonian 11th Century

Staatsbibliothek Bamberg, Ms. Bibl. 140

video 7 May 2,804 notes

erikkwakkel:

The Chained Library of Zutphen

I took these pictures during a visit to the 16th-century chained library of Zutphen, in the east of the Netherlands. It is one of three such libraries still in existence in Europe. Nothing much has changed here for 550 years.

More info: http://www.librije-zutphen.nl/index.php?option=com_content&view=section&layout=blog&id=14&Itemid=111

photo 6 May 330 notes demonagerie:

British Library, Add MS 62925, detail of f. 51r. Psalter, Use of Sarum (‘The Rutland Psalter’). c. 1260

demonagerie:

British Library, Add MS 62925, detail of f. 51r. Psalter, Use of Sarum (‘The Rutland Psalter’). c. 1260

via .
photo 3 May 980 notes demonagerie:

Rylands Medieval Collection, Latin MS 53, f. 58v. Christianus Prolianus and Joachinus de Gigantibus (?), Astronomia (1478)
“Comparative view of the magnitudes of the Sun (a large disc of burnished gold), the Moon (silver), Mars (gold), Venus (gold), Mercury (gold) and Earth (pale). Framed in a green wreath of leaves and blue background.”

demonagerie:

Rylands Medieval Collection, Latin MS 53, f. 58v. Christianus Prolianus and Joachinus de Gigantibus (?), Astronomia (1478)

“Comparative view of the magnitudes of the Sun (a large disc of burnished gold), the Moon (silver), Mars (gold), Venus (gold), Mercury (gold) and Earth (pale). Framed in a green wreath of leaves and blue background.”


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